4.19

5

Mar 16, 2010

6.0 stars. Confession...this book gave me an earth-shattering Janeaustegasm and I am feeling a bit spent and vulnerable at the moment, so please bear with me. You see, I decided I wanted to get more literated by reading the "classicals" in between my steady flow of science fiction, mystery and horror. The question was where to begin.

After sherlocking through my Easton Press collection, I started by pulling out my Dickens and reading A Tale of Two Cities which I thought was jaw-dropping AMAZO and 6.0 stars. Confession...this book gave me an earth-shattering Janeaustegasm and I am feeling a bit spent and vulnerable at the moment, so please bear with me. You see, I decided I wanted to get more literated by reading the "classicals" in between my steady flow of science fiction, mystery and horror. The question was where to begin.

After sherlocking through my Easton Press collection, I started by pulling out my Dickens and reading A Tale of Two Cities which I thought was jaw-dropping AMAZO and left me feeling warm, satisfied and content. It also made me made retrospectively pleased that I named my youngest daughter Sydney.

After Two City “Tale”ing, I decided to give this book a whirl as I kept seeing it on GR lists of "goodest books ever." However, I must admit I was hesitant going in to this for two big reasons. One, I thought it might be a bit too romantical for me. The second, and much more distressing, reason was that Twilight was on many of the same lists as this book. Austen fans should pull a nutty over that one.

So needless to say I went into this thinking I might hate it. Well, for the 999,987th time in my life (at least according to my wife’s records)...I was wrong!!! I absolutely loved this book and had a mammoth, raging heart-on for it from the opening scene at the breakfast table when Father Witty (Mr. Bennet) is giving sly sarcasm to Mrs. Mommie Put Upon. I literaphorically could not get enough of this story. I was instantly captivated by the characters and Elizabeth Bennet, the main protagonist, immediately became one of my all time favorite characters. Mr. Darcy joined that party as soon as he showed up in the narrative as I thought he was terrific as well.

Overall, the writing could not have been better. It was descriptive, lush and brilliant. The story could not have been more engaging or intelligent and the characters could not have been more magnificentastic. Elizabeth and Fitz are both smart, witty, self-confident and good. Austen could not have written them better. Oh, and I am sorry if this is a bit of a minor spoiler but I need to add that George Wickham is a cock-blocking braggadouche of startling proportions. I needed to say that and now I feel better.

This one has made it onto my list of All Time Favorite novels and is truly one of the classics that lives up to its billing. A FINAL WORD TO THE GUYS: ...Guys, do not fear the Austen...embrace the Austen...HIGHEST POSSIBLE RECOMMENDATION!!! ...more

5

Aug 12, 2007

Where my massive crush on Jane Austen began: alone, on a hot day in Montana, cursing her name.

I had to read it for AP English and I could not see the point. Girls need to marry. Girls can't get married. Girls are sad. Girls get married. Girls are happy.

I went to school to half heartedly discuss it and waffled and wavered in an effort to please my teacher. Finally she said: "was it good or not, Ben?"

"No it wasn't."

"Thank you...now read this twenty pages of literary criticism for homework."

Twenty Where my massive crush on Jane Austen began: alone, on a hot day in Montana, cursing her name.

I had to read it for AP English and I could not see the point. Girls need to marry. Girls can't get married. Girls are sad. Girls get married. Girls are happy.

I went to school to half heartedly discuss it and waffled and wavered in an effort to please my teacher. Finally she said: "was it good or not, Ben?"

"No it wasn't."

"Thank you...now read this twenty pages of literary criticism for homework."

Twenty pages of literary criticism later, I was hooked. Once you know what to look for, it's hilarious. Once you're keyed into the contextual life of women, you have to feel for the plight of the Bennet sisters, and laugh at the crudity of their mother and Mr. Collins.

So yes: I'm a guy and I love Jane Austen. You got a problem with that? Huh? Huh? Do you? Huh??? Well if you do, I'll be over here nursing my dorkiness just waiting for a fight for the honor of my beloved Jane. ...more

5

Mar 20, 2009

I was forced to read this by my future wife.
I was not, however, forced to give it 5 stars.

5

May 07, 2012

THIS BOOK IS MY JAM. JANE AUSTEN IS MY JAM. I LOVE EVERYTHING ABOUT HER AND THIS BOOK. READ THIS BOOK. THAT IS ALL.

1

Nov 30, 2008

NOTE: The review you are about to read was written in 2009. 2009! That's almost 10 years ago! I was 17 and thought I was the smartest person ever! In all honesty I barely remember this book. So, negative comments regarding my intelligence are no longer necessary. They will be ignored. As they have been for probably 6 years now. CARRY ON!

P.S. Can we all just LOL at my use of the words "mind-numbing balls"?? HA.

This book is quite possibly the most insipid novel I have ever read in my life. Why NOTE: The review you are about to read was written in 2009. 2009! That's almost 10 years ago! I was 17 and thought I was the smartest person ever! In all honesty I barely remember this book. So, negative comments regarding my intelligence are no longer necessary. They will be ignored. As they have been for probably 6 years now. CARRY ON!

P.S. Can we all just LOL at my use of the words "mind-numbing balls"?? HA.

This book is quite possibly the most insipid novel I have ever read in my life. Why this book is so highly treasured by society is beyond me. It is 345 pages of nothing. The characters are like wispy shadows of something that could be interesting, the language that could be beautiful ends up becoming difficult to decipher and lead me more than once to skip over entire paragraphs because I became tired of having to stumble through them only to emerge unsatisfied, and the plot is non-existent, as though Austen one day decided she wanted to write a novel and began without having any idea what would happen except that there would be a boy and a girl who seemingly didn’t like each other but in the end got married. The story really probably could have been told in about 8 pages, but Austen makes us slog through 345 pages of mind-numbing balls and dinner-parties. I don’t care what anyone says, this is not great literature. This is a snore.

Read my review of Pride and Prejudice and Zombies. ...more

4

Mar 07, 2007

"Pride and Prejudice" by Jane Austen started off annoying me and ended up enchanting me. Up until about page one hundred I found this book vexing, frivolous and down right tedious. I now count myself as a convert to the Austen cult.

I must confess I have been known to express an antipathy for anything written or set before 1900. I just cannot get down with corsets, outdoor plumbing and buggy rides. Whenever someone dips a quill into an inkwell my eyes glaze over. This is a shortcoming I readily "Pride and Prejudice" by Jane Austen started off annoying me and ended up enchanting me. Up until about page one hundred I found this book vexing, frivolous and down right tedious. I now count myself as a convert to the Austen cult.

I must confess I have been known to express an antipathy for anything written or set before 1900. I just cannot get down with corsets, outdoor plumbing and buggy rides. Whenever someone dips a quill into an inkwell my eyes glaze over. This is a shortcoming I readily own up to but have no desire to correct. So I admit to not starting this book with the highest of hopes. I did really enjoy Ang Lee's "Sense and Sensibility" however and so when my friend threw the gauntlet down I dutifully picked it up.

Boy did I hate him at first. To get anywhere with this book one has to immerse oneself in the realities of life and marriage in the nineteenth century. At first all this talk of entailment and manners just left me cold. I liked the language to be sure. Austen's dialogue is delightful through out but dialogue alone (no matter how delicious) does not a great novel make.

A hundred pages or so in though I started to see what a shrewd eye for character this Austen woman had. Mr. Collins was the first person I marvelled at. His character springs forth fully formed as a total but somehow loveable ass. From that point on I found much to love about this book. I was so into it by the end that I was laughing at some characters, sympathizing with others and clucking my tongue at an unhappy few. In short I was completely absorbed.

In conclusion I must now count myself a fan of Miss Austen's novels (and not just their fim adaptations) and do so look forward to acqauinting myself with more of her work in the future. "Emma" anyone?
...more

5

Mar 01, 2018

To summarize: Mister. Darcy.

*cue the long, sustained high-pitched squealing *

This was truly as glorious as I remember. Every time I reread this novel, I love it more. The romance , the high society , the witty banter. Gah. I just adore it all. "And your defect is to hate everybody."

"And yours," he replied with a smile, "is willfully to misunderstand them." Elizabeth Bennet (second eldest of the five Bennet sisters) is the one with a clear, level head. Jane is the beautiful one, Mary To summarize: Mister. Darcy.

*cue the long, sustained high-pitched squealing *

This was truly as glorious as I remember. Every time I reread this novel, I love it more. The romance , the high society , the witty banter. Gah. I just adore it all. "And your defect is to hate everybody."

"And yours," he replied with a smile, "is willfully to misunderstand them." Elizabeth Bennet (second eldest of the five Bennet sisters) is the one with a clear, level head. Jane is the beautiful one, Mary is the look-at-me-I'm-so-pious one, Lydia is the I'm-so-dumb-that-I'm-probably-going-to-get-murdered one and Kitty is the well-she's-just-kinda-there one.

Now, back in the day...there was one, singular goal for all women above the age of 16. GET YOURSELF A MAN before you reach 25 and become a SPINSTER *cue high-society ladies fainting*. Mrs. Bennet (their mother) has taken this so completely to heart that she thinks of nothing else. After all, It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. Mr. Bingley and Mr. Darcy moved into town and immediately Mrs. Bennett set her dasterdly plans in motion (on behalf of her mortified children). She will do whatever necessary to get a rich man to put a ring on it (oh Beyonce, your words are applicable in any century). A lady's imagination is very rapid; it jumps from admiration to love, from love to matrimony in a moment. Only, there is a snag in her otherwise flawless plans. Elizabeth is not going to roll over to whatever man is thrust her way. To her mother's ever-living-disappointment, Elizabeth has all the spunk and backbone of a truly glorious woman: I could easily forgive his pride, if he had not mortified mine. Truly a great read, no matter the century.

Plus Jane Austen is totally my soul sister. I declare after all there is no enjoyment like reading! How much sooner one tires of any thing than of a book! -- When I have a house of my own, I shall be miserable if I have not an excellent library.





Audiobook Comments
As with most old-timey books, It is far easier for me to listen to them than to read them. I like hearing the odd phrases and ancient unused words much more than struggling through the hard copy. I really enjoyed this audiobook and the narrator did a fab job of characterization.

The 2018 ABC Challenge - P

YouTube | Blog | Instagram | Twitter | Snapchat @miranda.reads

Happy Reading! ...more

5

Feb 25, 2008

Critics who consider Austen's works trivial because of their rigid, upper-class setting, wealthy characters, domestic, mannered plots and happy endings are almost totally disconnected from reality, as far as I can tell. What can they possibly expect an upper-middle class English woman to write about in 1813 but what she knows or can imagine? Sci-fi? A history of the American Revolution? A real-life exposé of underage exploitation in the garment district of London? Come on. What other setting can Critics who consider Austen's works trivial because of their rigid, upper-class setting, wealthy characters, domestic, mannered plots and happy endings are almost totally disconnected from reality, as far as I can tell. What can they possibly expect an upper-middle class English woman to write about in 1813 but what she knows or can imagine? Sci-fi? A history of the American Revolution? A real-life exposé of underage exploitation in the garment district of London? Come on. What other setting can she be expected to tackle with authority? Austen's value lies in her portraiture: her characters are believably human in their concerns, vanities, failings and quirks. The plots serve largely to showcase their interaction and thus, her observations of human nature, which are pointed, accurate, and hysterical.

Here, in her best work (my opinion), her technical skill as a writer also shows in Pride and Prejudice's tight plotting and economical casting; there are no superfluous characters or wasted chapters here. My college lit professor used to go on and on about this novel as a revolution of literary form in that dialogue drives the plot as much as exposition; I'll buy that but it doesn't thrill me for its own sake as much as it did her. It does mean, though, that Pride and Prejudice is a relatively smooth and lively read, that we learn about events and characters as much from what they say to each other as from what Austen narrates to us. The banter between Darcy and Elizabeth isn't empty flirting, it's a progression, a chart of their ongoing understanding/misunderstanding and a way to take stock of plot developments as well as an enjoyable display of wit.

Austen's heroines are famously caught between love and money are famously criticized for always getting both in the end. I've got no problem with this wish fulfillment. Keep in mind that being married is basically the only possible 'job' available to a woman of her position--marrying a rich dude is the only viable escape from the life of poor-relation dependency Austen herself lived, there's nothing reactionary or anti-feminist about it. The other option--becoming a governess--is barely respectable, putting a woman into an ambiguous class limbo of social invisibility that translates directly into a loss of safety and self-governance. Expecting Elizabeth to, what, become a doctor? is silly and anachronistic, and perhaps if that's your preference you'd be better off reading Clan of the Cave Bear, with Ayla and her bearskin bra, or what have you.

Pride and Prejudice is simply a joy to read, a dance of manners and affection between the leads and a parade of human silliness in the supporting cast.

edited to add: some thoughts specific to the Patricia Meyer Spacks annotated edition I received as a gift for Christmas 2010:

It’s quite remarkably handsome, and sturdy, and useful for whacking spiders if you are that sort of person. Generously illustrated with color and black-and-white sketches, engravings, and reproductions of earlier editions, household objects, relevant artwork, contemporary cartoons, diagrams and fashion plates.

My attention wandered during the editor’s introduction in what turned out to be a horribly familiar way. While I appreciated Spacks’s discussion of historical background, her warnings about the subtlety of language and characterization, and the dangers of identifying too much with our favorite characters because Austen stacks the deck for that purpose, etc etc, it was a sort of technical appreciation--dry, and a little bit soulless. I was, perhaps, impatient. At some point as I yanked my eyes back to the pages I kept trying to read, I realized: Spacks is a Professor Emerita at the University of Virginia--my former stomping grounds (wahoo-wa!) (...sorry, that happens)--it’s more than possible she was MY professor back in 19. I don’t remember her name or face, but certainly her style, the steel trap of her mind, and the mildly pushy feeling of her obsession with language all felt very very familiar. So, grain of salt: I may have some kind of baggage here.

That said, this is a must-own for the serious P&P fan. As with any annotated edition, I wouldn’t recommend it for a first or even third reading of the book--these notes take up half-to-full pages, sometimes continuing to the next, and only if you’re already familiar with the text of the book itself can you spare attention to wander off down these other roads. Keep another straight copy of P&P around for when you just want to read the thing. Some footnotes are simple definitions, or style notes: some are mini-essays that include their own cited references. Spacks includes centuries of Austen scholarship in her notes, not just contemporaries, so points of view vary widely. There’s quite a smorgasbord of textual commentary to pick through, and you’re sure to find little tidbits that strike you as especially resonant or horrendously wrong and weird.

Two tidbits I liked: first, a primary source. One note, in discussing the complicated British class system of the day, refers to a table constructed by one Patrick Colquhoun in his A Treatise on the Wealth, Power and Resources of the British Empire, in Every Quarter of the World (2nd ed., London, 1815, pp 106-107)--a table which lays out exactly where, for instance, Darcy stands in relation to the Bennett family. He’s in the “second class,” they’re in the fourth. Clearly people put a lot of time and effort into codifying and arguing about societal structure, status and behavior, and I think that would be a fascinating thing to read.

Another note I lingered over involves Mr. Collins, a character we love to hate. Here's the upside of an annotated edition: I’d never bothered to give Mr Collins much of my attention, since he’s icky--but Spacks points out the oddity of a snippet that I'd always ignored before. In bidding Elizabeth farewell from Hunsford, Mr Collins apologizes profusely for the humbleness of his style of living, as if he considered her socially above him--and this is a complete 180 from his incredibly condescending proposal of marriage earlier in the book, where he deigns to presume he’s taking a burden from her parents by opting to support her. Also, Spacks has a lot to say about Elizabeth's inconsistency and lack of generosity towards Charlotte Lucas--traits I'd noticed in past readings without following through to some of their logical conclusions and their connections with Elizabeth's later behavior.

Definitely worth the purchase price! Add it to your collection, but don't make it your only copy, since it's hard to tuck under your pillow.



...more

4

Jun 24, 2010

Well-loathed books I've re-read

Rating: 4 very annoyed, crow-feathered stars out of five

The Book Report: No. Seriously. If your first language isn't English, or if you're like nine years old, you might not know the story. Note use of conditional.


My Review: All right. All right, dammit! I re-read the bloody thing. I gave it two stars before. I was wrong-headed and obtuse and testosterone poisoned. I refuse to give it five stars, though. Look, I've admitted I was wrong about how beautiful the Well-loathed books I've re-read

Rating: 4 very annoyed, crow-feathered stars out of five

The Book Report: No. Seriously. If your first language isn't English, or if you're like nine years old, you might not know the story. Note use of conditional.


My Review: All right. All right, dammit! I re-read the bloody thing. I gave it two stars before. I was wrong-headed and obtuse and testosterone poisoned. I refuse to give it five stars, though. Look, I've admitted I was wrong about how beautiful the writing is, and how amusing the story is. Don't push.

Stephen Sullivan, who rated this with six stars of five, is now on a summer travel break from Goodreads, so I can publish this admission: He was right. It is a wonderful book. I had to grow into it, much as I had to grow into my love for Mrs. Dalloway. But now that I'm here, I am a full-on fan.

Deft is a word that seems to have been created for Austen. She writes deftly, she creates scenes deftly. She isn't, despite being prolix to a fault, at all heavy-handed or nineteenth-century-ish in her long, long, long descriptions. She is the anti-Dickens: Nothing slapdash or gimcrack or brummagem about her prose, oh nay nay nay. Words are deployed, not flung or splodged or simply wasted. The long, long, long sentences and paragraphs aren't meant to be speed-read, which is what most of us do now. They are meant to be savored, to be treated like Louis XIII cognac served in a cut-crystal snifter after a simple sole meunière served with haricots verts and a perfect ripe peach for dessert.

The romantic elements seem, at first blush, a wee tidge trite. And they are. Now. Why are they? Because, when Miss Jane first used them in Pride and Prejudice, they worked brilliantly and they continue so to do unto this good day. Why? Because these are real feelings expressed in a real, genuine, heartfelt way, as constrained by the customs of the country and times. And isn't that, in the end, what makes reading books so delicious? I, a fat mean old man with no redeeming graces, a true ignorant lower-class lout of the twenty-first century, am in full contact with the mind, the heart, the emotional core of a lady of slender means born during the reign of George III.

You tell me what, on the surface of this earth, is more astonishing, more astounding, more miraculous than that. Jane Austen and I Had A Moment. She's Had A Moment with literally millions of English-speakers for over 200 years. She's had moments with non-English speakers for more than a century. Elizabeth Bennet and Fitzwilliam Darcy are cultural furniture for a large percentage of the seven billion people on the planet. (Large here is a relative term. Less than one? Still amazing for a book 200 years old.)

Reading is traveling in time, in space, but most importantly inside. Inside yourself, inside the characters' emotions, inside the author's head and heart. It is a voyage of discovery, whether you're reading some bizarro mess, Dan Brown's mess, religious tracts, Twilight, whatever. You-the-reader are going somewhere in a more intimate contact than you-the-reader have with any other being on the planet. Movies, TV, sex, none of them take you as deep into the essence of feeling and emotion as reading does. And no, snobs, it does NOT matter if it's well written, it matters that the book speaks to the reader. (Sometimes, of course, what one learns is how very shallow and vapid some people are...I'm lookin' at you, Ms. Fifty Shades.)

So I thank that rotten, stinkin' Stephen-the-absent Sullivan, safe in the knowledge he won't see me admitting this, for reminding me to live up to my own goal of remaining open to change. I heard him yodeling his rapture, and I revisited the book, and I learned something valuable:

Only admit you're wrong when the person you don't want to embarrass yourself in front of isn't around to see.


This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. ...more

5

Sep 18, 2018

Austen was a brilliant writer.

This story is timeless.

Simply beautiful.

5

Nov 15, 2008

Mr. Darcy...
*swoons*



First, we need to clear something up. Colin Firth is the only Mr. Darcy.
That other Mr. Darcy was horrible! No, no, no, no, nooooo!
Make it stop. Make. It. Stop. Tell the bad man to go away, Mommy!



So, quite obviously, the BBC miniseries (in all its 327 minute glory) is the only version that is acceptable. The other movie was such a travesty to this book, that I wept big, fat, angry tears...like the spoiled brat that I am.
Or maybe I'm exaggerating slightly.
What were they Mr. Darcy...
*swoons*



First, we need to clear something up. Colin Firth is the only Mr. Darcy.
That other Mr. Darcy was horrible! No, no, no, no, nooooo!
Make it stop. Make. It. Stop. Tell the bad man to go away, Mommy!



So, quite obviously, the BBC miniseries (in all its 327 minute glory) is the only version that is acceptable. The other movie was such a travesty to this book, that I wept big, fat, angry tears...like the spoiled brat that I am.
Or maybe I'm exaggerating slightly.
What were they thinking?! You don't mess with perfection!
What did you think, Elizabeth?



Exactly.

Anyway, instead of reading it this time around, I listened to an audio book version. Apparently, which audio version you listen to makes a difference.
My real-life BFF said her version had an American doing British accents , and she found it terribly annoying. I, however, had a version with an actual lady from the land of tea 'n crumpets, and she did a fine job. Well, she did have this lounge singerish voice, so instead of sounding like a fresh-faced 20 year old, Elizabeth sounded like she had been smoking 3 packs a day for about 40 years.
Eh, I was ok with it. I kept imagining Lizzie with a cigarette dangling from her lips like a truck stop hooker, and it gave the story a fresh perspective.



I've read this so many times over the years that I've lost count, but I still wish I could go back and read it for the first time all over again.
I hated that stupid, arrogant, arse-faced Mr. Darcy when he first showed up at the ball. Ugh. What a prick!
So, just like Lizzie, I remember being shocked at his proposal. And just like Lizzie, I was horrified by the way he dissed her family while he did it!
And how could he think she would ever agree to marry him after the way he convinced Bingley that Jane didn't love him?!
And the way he treated poor Wickham!
Just who did this guy think he was!



But then...The Letter!
Oh, my! Well, that certainly put a different spin on things didn't it?!
Elizabeth & I were so ashamed that we had judged him so harshly.
*hangs head*
And the way he acted toward us when we met near the lake!
So kind...such a gentleman!



Ok, I've probably read that particular scene (at Pemberley) a million times. Sometimes, I would just pick up and start the book from there.
Total comfort food.
It's just...ahhhhhhhhhhh.

Of course, Lydia has to go and ruin everything! How could she be such a stupid, selfish, uncaring twat!? Grrrrrrr!
*strangle, strangle, strangle*



How will Darcy and I...I mean, Darcy and Elizabeth...manage to get their Happily Ever After?
Feelings! Oh, the feelings!



So. Yes, I'm unashamed to admit that I am that cliché of a woman who loves Pride and Prejudice. Unashamed!
I just...{insert fangirl screaming and crying}
*Throws panties at Mr. Darcy*


...more

5

May 17, 2019

I am so unqualified to write about this book.

I am physically unqualified, because I could write infinite words about how much I love this book, and I type in a weird way that makes my wrists hurt so infinity is simply not going to happen.

I am emotionally unqualified, because I lack emotional intelligence when it comes to my own feelings and the idea of trying to explain how I feel about this book is overwhelming.

I am spiritually unqualified, because of the aforementioned overwhelmed-ness.

I am I am so unqualified to write about this book.

I am physically unqualified, because I could write infinite words about how much I love this book, and I type in a weird way that makes my wrists hurt so infinity is simply not going to happen.

I am emotionally unqualified, because I lack emotional intelligence when it comes to my own feelings and the idea of trying to explain how I feel about this book is overwhelming.

I am spiritually unqualified, because of the aforementioned overwhelmed-ness.

I am also unqualified generally, in the grand scheme of things, because so many people have written so intelligently about the wonderfulness of this book and I have nothing better to add.

Just more rambling like this.

I read a lot of romance, and if you want to venture a theory as to why, I’d love to hear it. I very seldom like it, so maybe it’s a masochist tendency. Maybe I’m a glutton for the attention that writing negative reviews of popular books gives me. (Definitely not that one, since the few mean comments always outweigh the far more numerous nice ones in my stupid brain.) Whatever.

I read a lot of romance, but I almost never feel anything about it.

I LOVE this book. It gives me...uh…(everyone stop reading this to save me the embarrassment and allow me to preserve my rough and tumble reputation)...butterflies.

I know. I’m cringing forever. But it’s true.

This is a lovely book. It’s beautifully written, it’s funny, it’s filled with characters who feel full and real and different from one another (even though half of them have the same name), and it truly is the best love story ever told.

What more could you ask for?! Spoiled rotten, the lot of you.

Bottom line: A dream.

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starting a fundraiser to raise money for a monument in honor of Jane Austen's brain

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my heart has space for exactly 435 pages. the entirety of my heart is made up of Pride & Prejudice. nothing else. ...more

5

Nov 02, 2016

Society, with all its restrictive constructs, is one nasty piece of work.

It comes with so many silly rules, so many silly expectations. Those of social station and wealth must be seen to marry someone of the same “worth” regardless of the feelings involved; they must be seen to marry someone on their level of class structure. But what of love? What of passion? Should it be quenched because of these all-encompassing silly constructs?

Austen doesn’t think so.

Enter Darcy, a man who is royally Society, with all its restrictive constructs, is one nasty piece of work.

It comes with so many silly rules, so many silly expectations. Those of social station and wealth must be seen to marry someone of the same “worth” regardless of the feelings involved; they must be seen to marry someone on their level of class structure. But what of love? What of passion? Should it be quenched because of these all-encompassing silly constructs?

Austen doesn’t think so.

Enter Darcy, a man who is royally pissed off; he has fallen in love with someone considered far beneath him, to declare his love for her is to step outside the realms of his supposed pedigree: it is a form of social death. So he is a man torn in two. At the route of things, he is a product of his society; consequently, he is affected by its values. Although he hates it all the same; thus, the long sullen silences, the seemingly moody and arrogant exchanges with Elizabeth. But it’s all the expression of a man struggling to deal with the raging tempest of emotions that have taken hold of his mind: his being.

“In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.”



Indeed, Austen slowly reveals the dangers of false perception as she gradually peels away the mask of this stoic pillar of aristocracy, and underneath blossoms a misunderstood and sensitive soul. So the romance plot is born. Elizabeth eventually loses her prejudice and sees through Darcy’s false pride. Darcy loses his integrated construct of prejudice and ignores the pride of his relatives. As ever with Austen, the title of the work is suggestive of the main motifs; she’s never subtle as its all ways clear which way her razor sharp sarcasm is pointed.

So love conquers all. Austen was a strong advocate of social mobility, and often it’s based upon love in her works. But she only believes in real love. She’s not interested in fleeting moments of heat and sexual lust; she portrays true and lasting romantic attachments, relationships that are strong and real. For her, such things transcend class boundaries, wealth and intelligence. Love is love. It doesn’t matter who it is with as long as it is real; hence, Austen becomes a critique of society and its customs that prevent these relationships from being realised. She knows how stupid it is, and she loves to poke fun of her caricatures of the old stilted class of her era: the ones that resist her ideas.

Is this the best Austen?

I did really enjoy this book, and I have given it five stars, but it’s not as good as her other works. For me it lacks the moral growth of Northanger Abbey and Emma.It lacks the conciseness of Persuasion. The emphasis on the injustice of romance has made it popular, though I do strongly believe that the love in Persuasion is stronger than it is here. That endures rejection, separation, war and decades; yet, it still lingers. I love Austen, and I have loved each one of her books I’ve read so far in different ways. I hope to continue to do so. This is the fourth Austen I’ve given five stars, I can easily celebrate her as one of my favourite writers. ...more

3

May 27, 2009

it is official: now everyone on the planet has read this book. i was the last holdout, and being the last person (excluding those who are just being born...... now) i am sorry i didn't like it more. i knew going into it that i was not a jane austen girl; i had read two others and thought them bloodless and mercantile. but everyone said to me, "well, you haven't read pride and prejudice is why you don't like her." which i thought might be valid. but it's not. because i still don't care. this is it is official: now everyone on the planet has read this book. i was the last holdout, and being the last person (excluding those who are just being born...... now) i am sorry i didn't like it more. i knew going into it that i was not a jane austen girl; i had read two others and thought them bloodless and mercantile. but everyone said to me, "well, you haven't read pride and prejudice is why you don't like her." which i thought might be valid. but it's not. because i still don't care. this is not the greatest love story of all time. it's more like the most amiable alliance of compatible feelings that ends up in a mutually agreeable union and merging of fortunes and temperaments. i mean, really. this book needs heathcliff to come barreling in on a stallion all wet from the moors to ravish all five of these daughters and show them what a real man is all about. now there's a love story...

come to my blog! ...more

5

Sep 17, 2017

Well, I finally finished this classic novel, by Jane Austen, set in the 18th century, and I have to say it was worth all the time I took to read it. I absolutely loved the main characters, the humor, and most of all the romance. I watched the movie and loved it also, but the book is much more detailed and descriptive.
Definitely a favorite! I highly recommend it to everyone. You won't regret reading this one. Well, I finally finished this classic novel, by Jane Austen, set in the 18th century, and I have to say it was worth all the time I took to read it. I absolutely loved the main characters, the humor, and most of all the romance. I watched the movie and loved it also, but the book is much more detailed and descriptive.
Definitely a favorite! I highly recommend it to everyone. You won't regret reading this one. ???? ...more

4

Jun 07, 2008

938. Pride and Prejudice, Jane Austen
Pride and Prejudice is a romantic novel by Jane Austen, first published in 1813. The story charts the emotional development of the protagonist, Elizabeth Bennet, who learns the error of making hasty judgments and comes to appreciate the difference between the superficial and the essential.
عنوان: غرور و تعصب - جین اوستین (نشر نی، بنگاه ترجمه و نشر، زرین، ) ادبیات انگلسان؛ تاریخ نخستین خوانش: سال 1974 میلادی
عنوان: غرور و تعصب؛ اثر: جین اوستین (آستین)؛ مترجم: 938. Pride and Prejudice, Jane Austen
Pride and Prejudice is a romantic novel by Jane Austen, first published in 1813. The story charts the emotional development of the protagonist, Elizabeth Bennet, who learns the error of making hasty judgments and comes to appreciate the difference between the superficial and the essential.
عنوان: غرور و تعصب - جین اوستین (نشر نی، بنگاه ترجمه و نشر، زرین، ) ادبیات انگلسان؛ تاریخ نخستین خوانش: سال 1974 میلادی
عنوان: غرور و تعصب؛ اثر: جین اوستین (آستین)؛ مترجم: شمس الملوک وزیری؛ مشخصات نشر: تهران، بنگاه ترجمه و نشر کتاب، 1336، در 661 ص، زیر نظر: احسان یارشاطر
مترجم: شاهرخ پورانفر، تهران، زرین، 1362، در 536 ص
مترجم: رضا رضایی، تهران، نشر نی، 1385، در 449 ص
داستان را «جین آستین» در سن بیست و یک سالگی، و در سال 1796 میلادی بنوشته است، و برای نخستین بار در سال 1813 میلادی چاپ شده؛ و در ایران به سال 1336 هجری خورشیدی، با ترجمه ی بانو: شمس الملوک وزیری، به زیور طبع آراسته گشته است. آقا و خانم «بنت» پنج دختر دارند: «جین»، «الیزابت»، «لیدیا»، «مری»، و «کیتیا». «جین» و «الیزابت»، بزرگتر و زیباتر از سه خواهر دیگر خویش هستند. مردی سرشناس و ثروتمند، به نام: «چارلز بینگلی»، در باغ خویش، و در همسایگی آنها زندگی میکند. او بسیار مهربان و خوش چهره است. خانم «بنت» کوشش میکند، مرد جوان یکی از دخترانش را، به همسری خویش برگزیند. و ... ادامه داستان؛ ا. شربیانی ...more

5

Jul 26, 2007

A quintessential novel of manners. Fine moral intelligence and subtle psychological insight expressed in a straightforward, epigrammatic style. I read it for the first time forty years ago, and I am still half in love with Eliza Bennet.

0

Oct 18, 2008

Some years back in one of my APAs, someone castigated Jane Austen's books like this: "All those daft twits rabbiting on about clothes and boyfriends and manners."

Since then, I’ve encountered other variations on the theme that a modern woman ought not to be reading such trash because it sets feminism back two centuries.

Well, much as I laughed over the first caveat, that isn't Austen. It sounds more like the silver fork romances inspired by Georgette Heyer. Austen's characters don't talk about Some years back in one of my APAs, someone castigated Jane Austen's books like this: "All those daft twits rabbiting on about clothes and boyfriends and manners."

Since then, I’ve encountered other variations on the theme that a modern woman ought not to be reading such trash because it sets feminism back two centuries.

Well, much as I laughed over the first caveat, that isn't Austen. It sounds more like the silver fork romances inspired by Georgette Heyer. Austen's characters don't talk about clothes at all, outside of air-headed Mrs Allen of Northanger Abbey, who doesn't think of anything else.

Austen sticks her satiric quill into young ladies who think and talk about nothing but beaux, such as poor, luckless Anne Steele in Sense and Sensibility. Manners are emphasized but not manners without matter; Austen saves her spikiest irony for hypocrites.

I think it's important to remember that whereas Heyer was writing historical romances in the silver fork tradition, Austen was writing novels about contemporary life, especially the problems facing young women in her own walk of life, the country gentry. She criticized herself in a much-quoted letter to her sister Cassandra, saying in effect, 'the problem with Pride and Prejudice is it's too light and bright and sparkling.' Many have misinterpreted this remark. It seems to me, on close reading of her elsewhere, that she meant the novel to be taken more seriously than it was.

What is it about, really? It's about the wrong reasons for marrying, and how those can affect a woman for the rest of her life. Of course a hard-line feminist can point out that novels about marriage are hideously retro for today's woman, who has many choices before her. During Austen's time, marriage was the only choice a woman had, unless she was rich enough to shrug off the expectations of her society, or unless she was willing to live on as a pensioner to some family member or other, which more often than not meant being used as an unpaid maid. Of course there was teaching, but the salaries for women were so miserable one may as well have been a servant. The hours and demands were pretty much equal.

If one looks past the subject of marriage, the novel's focus is about relationships: between men and women; between sisters; between friends; between family members and between families. As for marriage, Austen sends up relationships that were formed with security as the goal, relationships that were sparked by physical attraction and not much else, relationships made with an eye to rank, money, social status, or competition. And, with abundant wit and style (or as she’d say, with éclat), she offers some truths about the differences between love and lust, and what relationships based on either mean to a marriage months—or decades—after the wedding.

The fact that Austen doesn't use modern terminology doesn't make it any less real than a contemporary novel that has a supposedly liberated woman romping from bed to bed for forty pages while in search of the perfect relationship. The message is the same, that women who mistake falling in lust for falling in love are usually doomed to a very unhappy existence. And in Austen's time, you couldn't divorce, you were stuck for life.

I've had dedicated feminist friends give me appalled reactions when I admit to liking Austen. I don't consider reading Austen a guilty pleasure, as I do reading Wodehouse. I consider Jane Austen a forerunner of feminism. She doesn't stand out and preach as Mary Wollstonecroft did. Her influence was nevertheless profound. Again and again in those novels she portrays women thinking for themselves, choosing for themselves—even if their choices are within the conventions of the time. What the women think matters.

In Austen’s day (and too often, now) female characters were there as prizes for the men to possess, or to strive for, or as catalysts for male action. These days we call them refrigerator women. Jane Austen gave her female characters as much agency as a woman could have in those days, and the narrative is mostly seen through their eyes.

The famed relationship between Elizabeth Bennet and Mr. Darcy makes it very clear that they were first attracted by one another's intellect—those two were clearly brain-snogging before they ever got to the fine sheets of Pemberley. It is also clear that the man—his higher social and economic status notwithstanding—had to earn the woman's respect, and rethink some of his assumptions, before she could see in him a possible partner. There is no dominant male making the decisions: those two are equal right down to the last page, and Austen makes it clear that it will continue to be so after the marriage.

Each time I reread the novel, I notice something new, but in the meantime, will I continue to recommend it to young women just venturing into literature? You bet.
...more

2

Oct 24, 2011

18 chapters in... I want that to sink in for a moment... ok. 18 chapters in and NOTHING has happened. I am enjoying her writing style very much, but I also enjoy the back of an occasional cereal box so that may not mean much. We will see.
I am sitting here eating a tootsie roll, a Halloween left over, and I can't help notice the similarities between it and the novel Pride and Prejudice. First off, like P and P, the tootsie roll wasn't one of those dinky ones that you can almost swallow in a 18 chapters in... I want that to sink in for a moment... ok. 18 chapters in and NOTHING has happened. I am enjoying her writing style very much, but I also enjoy the back of an occasional cereal box so that may not mean much. We will see.
I am sitting here eating a tootsie roll, a Halloween left over, and I can't help notice the similarities between it and the novel Pride and Prejudice. First off, like P and P, the tootsie roll wasn't one of those dinky ones that you can almost swallow in a single bite so you know that I've been at this for a while and now that I finally got it down, I have to wonder why I put it into mouth to begin with. Secondly, tootsie rolls are a throwback to another age, there are far better candies out there and the 36 wrappers littering the floor will attest to this. You have to really like tootsie rolls to appreciate them. I don't.
Pride and Prejudice is the dullest most wonderfully written book that I have ever read. I read it simply to get a feel for the author's fantastic ability at arranging words, and really I mean it when I say, oh what wonderful blather.
I give the book one star.
After 62 chapters, there is nothing that happens. There is barely a story to the story, at least not one that could be remotely interesting...even to people who like romance. In the age of bodices, there is nary a one that is ripped open, let alone one that is undone with the gentle exploring fingers of a lover.
And then there is the hubbub over the book...Satirical? A witty comedy of manners? Sure, I smiled a few times at the only funny character in the book, Mr. Bennett, but overall, I read, studied the sentence structure, noticed the wall paper and waited patiently as the paint dried. Even the dramatic ending where Lizzy gets the guy, is a letdown and dull. Just to let you know, I was joking about it being in any way dramatic. Which brings me to the characters. Other than Lizzy, they are all stereotypical and lack even the most remote concept of depth. Jane is pretty and sweet from the first page to the last. The mom is overbearing, the dad aloof. Other than Darcy, no one grows or changes in a book that spans a few years and endless pages.
Normally, I use one star for books that I just can't finish and if I wasn't an aspiring author, I wouldn't have bothered to get through half the book, but since I did... and when I compare it to yawner like A Tale of Two Cities, I had to bump this one up a notch.
PS, Don't read Moby Dick either, if you know what's good for you. ...more

5

Jan 01, 2013

Often imitated, never matched. Nobody can do it quite like Jane Austen.

True story: I was rummaging through and throwing away lots of my old papers and souvenirs a few weeks ago and happened to run across my 30+ year old notes from a college course where we studied Pride and Prejudice. I can't believe I still had them! Some of those P&P notes were actually pretty insightful, so in this review I've included some of the more interesting observations from my long-ago class. Hope you enjoy! (ETA: Often imitated, never matched. Nobody can do it quite like Jane Austen.

True story: I was rummaging through and throwing away lots of my old papers and souvenirs a few weeks ago and happened to run across my 30+ year old notes from a college course where we studied Pride and Prejudice. I can't believe I still had them! Some of those P&P notes were actually pretty insightful, so in this review I've included some of the more interesting observations from my long-ago class. Hope you enjoy! (ETA: Now with bonus texts and memes)



From the first tongue-in-cheek words:It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered the rightful property of some one or other of their daughters.Austen brilliantly sets up the world of this novel. Marriage - however humorous the personalities and events may be - is serious business. And when the Bennets have five daughters and no sons, the seriousness of getting their girls married off increases exponentially. The desperation of the marriage hunt is really the desperation of economic survival. Mrs Bennet has that essentially right, however misguided she is in the way she goes about it.

The theme of self-discovery works hand-in-hand with the theme of marriage, and the tension between economic interest and romantic feelings. Both pride and prejudice are obstacles not just to understanding others, but to knowing oneself. Elizabeth learns about herself from several other characters along the way:

Wickham: (view spoiler)[the danger of trusting solely in appearance. (hide spoiler)]
Charlotte: (view spoiler)[the danger of too much practicality and making decisions based on material reasons. (hide spoiler)]
Lady Catherine: (view spoiler)[helps Elizabeth to see Darcy's pride in perspective (hide spoiler)]




Jane Austen shows us so many different types of marriages in P&P: those based mostly on initial physical attraction ((view spoiler)[the Bennet parents as well as Lydia and Wickham (hide spoiler)]), those based on practical, material considerations; those based on emotional feeling and compatibility ((view spoiler)[Jane and Bingley (hide spoiler)]). And finally, and very gradually, we progress to seeing relationships based on reason and intelligence as well as physical and emotional attraction. The Gardiners are the model here, and the type of marriage Elizabeth wants to have for herself.



I adore Elizabeth and Darcy, working through their flaws (there's pride and prejudice aplenty on both sides!), willing to reconsider earlier judgments, tentatively working their way toward each other. And when you combine that with Austen's insight into human foibles and her sharp wit, every page is a pleasure. Sometimes I've been guilty of rushing through P&P, skimming over some chapters to get to the "good parts" faster, but I took my time this time around, reading it slower and more carefully, and was rewarded accordingly.

P&P is my favorite book of Jane Austen's ... and very possibly my favorite book of all time. It's the perfect mix of intelligence, humor and romance.

Bonus! A studious and completely objective discussion of the merits of the leading actors and actresses in the major P&P movies and TV miniseries.

First up: The Elizabeth Bennet actresses.

First, Greer Garson from the 1940 movie:

… no, for two big reasons:
1. As one website points out, “Garson's [Elizabeth Bennet] was smirking, empty-headed and flirtatious where Ehle's was smirking, strong and intelligent." Hah!
2. Hoop skirts. Hoop. Skirts. A thousand times no!
(This movie also has a third strike against it, the travesty of its rewriting of Lady Catherine de Bourgh’s personality.)

Second, Elizabeth Garvie in the 1980 BBC miniseries:

She’s not well known except among P&P fans, but she actually does a very nice job with Lizzie.

Jennifer Ehle from the 1995 miniseries:

She’s great, and she gets extra points for just how well she plays off of Colin Firth, but I have a fundamental problem with Ehle, which is that she just doesn’t match my vision of Lizzie. I just can’t entirely buy her in the part.

Keira Knightley:

Very pretty but … too pretty. And man, is she wearing a lot of makeup in some of the scenes.


Honorable mention: Aishwarya Rai in Bride and Prejudice (I don’t even care if she’s too gorgeous):


So for me, it’s Elizabeth Garvie, but kind of in a default win.

Part II: The Darcys:

We begin with Lawrence Olivier from the 1940 Hollywood movie:

... all props to Sir Lawrence, but he's not my vision of Darcy.

David Rintoul from the 1980 BBC version:

... who is a pretty good Darcy, actually; it's not his fault that the production values in this P&P version suck. (it's basically like watching a theater play that's been filmed)

On to the wonderful Colin Firth, from the seminal 1995 miniseries:

... I can't help it, he makes my heart beat faster even when he's not in a wet shirt.

Matthew Macfadyen in the 2005 movie:

Sorry to his fans, but he doesn't cut it for me. He always looks So. Worried!

So clearly for me it's Colin Firth FTW, but feel free to argue with me in the thread. :)

Honorable mentions go to Elliot Cowan in Lost in Austen and Martin Henderson in Bride and Prejudice. (Pics in the thread.) ...more

4

May 08, 2010

"I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that it had begun."

This was Mr. Fitzwilliam Darcy's reply when Ms. Elizabeth Bennet asked him when he fell in love with her.

Pride and Prejudice by Jane Austen had put my left out dictionary into good use. I have to admit, I was very slow in the first pages, however, nearing the end, I was like a driver going at 100mph, eager to reach the finish "I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that it had begun."

This was Mr. Fitzwilliam Darcy's reply when Ms. Elizabeth Bennet asked him when he fell in love with her.

Pride and Prejudice by Jane Austen had put my left out dictionary into good use. I have to admit, I was very slow in the first pages, however, nearing the end, I was like a driver going at 100mph, eager to reach the finish line.

At the first pages, I have to admit I was frustrated, for Jane Austen had called her characters Miss Bennet, and I must duly mention that there are five Miss Bennets. And the use of various nicknames, confused me more. I thought Elizabeth and Eliza and Lizzy are different persons. So, I put a book guide into good use as well.

I must also mention my despise of Mrs. Bennet. I hated her more than anyone in this novel. She has no talent in being a mother whatsoever and have no notions of leading her daughters in the right path. The only thing that matters to her is the marrying of her five daughters. After the misfortune of Lydia running away with Wickham, she was frivolous as to forget the elopement as soon as news of marriage were ensued. She considered the hunting for a wedding gown, the most of her problems. I've never seen a woman as fickle-minded as her and no one as blinded to riches than her. Nor do I have a desire to meet one.

Lydia Bennet, is another matter. She is selfish and insensitive as anyone can get. I have to mention this, to unload the hatred in my chest.

How Jane and Elizabeth turned out to be well bred is a wonder, considering the type of mother they are born with.

But enough of what I hate of the book, because it will soon be forgotten, and all but the love of Mr Darcy for Elizabeth would remain.

This is a genuine love story. I've fallen in love with Mr Darcy. He wanted to change his ways for his beloved Elizabeth. He helped her in so many ways and he needed no credit for it. For him, it was enough that he knew he helped her. He also hid his love for her for so long, its endearing.

No part of the book was useless. All were vital for the fruition of Mr Darcy and Ms Bennett's love story. As you go deeper in the book, all pieces come together, like a puzzle, slowly making meaning.

Indeed, Ms. Elizabeth Bennet is lucky, to have loved and to be loved in return. Despite the troubles their love had to endure, it was victor in the end. ♥
...more

5

Mar 06, 2014

I am so genuinely surprised at the positive experience I had reading this book! I had so much fun reading it and can now understand why people love it so much :3 Let's be real this deserves 5 stars <3

Around the Year in 52 Books Challenge Notes:
- 9. A book mentioned in another book

0

Nov 07, 2019

I am not a fan of classics, this however, is a favorite book of 3 of my real life female friends and I need to understand what the hype is about!!

5

Oct 10, 2006

This review has been hidden because it contains spoilers. To view it, click here. So the other day Elizabeth and I are in the book store and she saw this book, and said she really wanted me to read it. In horror at the thought of reading what I thought was a 'chick book', i immediately countered that she would then have to read one of my favorites: Dune. She agreed!

So I read it, and I have to admit, it was good - damn good. Even though there was a serious lack of any gratuitous violence, I tore through it in several days. Austen is an amazing writer, and has a particular So the other day Elizabeth and I are in the book store and she saw this book, and said she really wanted me to read it. In horror at the thought of reading what I thought was a 'chick book', i immediately countered that she would then have to read one of my favorites: Dune. She agreed!

So I read it, and I have to admit, it was good - damn good. Even though there was a serious lack of any gratuitous violence, I tore through it in several days. Austen is an amazing writer, and has a particular talent for explaining her characters deep motivations (or prejudices) in a few defining sentences.

I think my favorite part of it is the unwinding of Elizabeths' prejudices against Mr Darcy. It is done so slowly and artfully and believably that the reader is completely pulled into the story.

It is a definite period piece - here are a few funny observations:
- Nobody in the book had a job - they all earned income from their estates
- Since nobody had jobs they spent all day gossiping
- People were judged not by what they did for a living but what family they were from and how they behaved in society. Completely different from today!
- Dating was much tougher back then. You needed at least 10 dates to get anywhere, and you probably had to marry in order to go all the way.

Jokes aside, this is a classic, and I highly recommend it for any guy or girl. ...more

4

Jan 30, 2019

can you believe elizabeth and darcy invented the 'enemies to lovers' trope and have been the most iconic power couple to exist ever since